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ABOVE

Eli Chartkoff enjoying a cup of tea in his living room during our interview in late 2009.

Photographed on October 4, 2009.

 

Eli Chartkoff (with his wife Mary, who plays drums) formed The Monolators close to eight years ago and have self released an impressive array of singles, EPs, and LPs. Their music and performances are often filled with humor and consistently strike me as fiercely independent, though their D.I.Y. aesthetic hasn’t at all decreased the quality of their work; in fact, I’d argue, that it’s clearly increased the quality of their efforts as they end up pouring so much time and energy into everything they do. Though they may not have the highest, local profile, their reputation in the Silverlake scene as being friendly and helpful is unparalleled (it’s not uncommon to see bands silk-screening t-shirts in Eli and Mary’s garage before a tour or record release). Amongst dozens of bands struggling to find their place, The Monolators play a key and pivotal role, bringing people together and helping to make the scene more than just a collection of bands and venues, but a place of meaning worthwhile in it’s own right.

I sat down with Eli in his home in Eagle Rock in October of 2009.

Can you talk about how you and Mary met and how the Monolators started?
Eli Chartkoff: We met at a mutual friend's birthday party at the Good Luck Bar, which I have to admit we haven't been back to since we met, and the reason I met her was that I overheard one of my friends talking to her about her drum lessons and my ears kind of perked up. "Oh, drum lessons?" So I broke the ice, "you play drums?" And so we started talking and then I got the courage to ask her out on a date, it wasn't officially a date, we were gonna play music together with the obvious subtext that it was a date. I brought my guitar over to her house and we played; I don't even remember what we played, I think we just played some stupid jam thing. But yeah, all our earliest dates were in the context of playing music together. And she was in a band that didn't really play shows, they just practiced in her living room with our original guitar player Mike. I had been in bands years before but I hadn't been in band for a long time; I had kind of given up on the idea cause I thought I'm not nineteen anymore so there's not really much point. I was doing other stuff too, I was trying to make movies and things like that but then they needed a bass player for their little living room band so I said, "I'll play with you guys." It just sort of swallowed up my life from there. We started playing together and we actually did play a show in her living room for about twenty people. That went okay, but Mike, who was the guitar player, had this crippling stage fright, probably the worst I've ever seen in my life. Mary and I got it into our heads that we wanted to play a show in a club or in front of people, and that was so stressful for Mike that the original band, it was called Lonely 451, broke up. Mary and I were still doing other things, like Mary was making a movie and I was doing animation and print making, we took some time off to get married, and then Mary and I decided we wanted to try playing some shows and we told Mike that we were going to form a new band and if he wanted to join us he could but it had to be in context of us actually playing shows. That's how The Monolators started.

Where did the name The Monolators come from?
EC: It was a made up word initially. It’s always been my job to make up names for bands cause nobody else wants to do it. I like the word modulator a lot but that had already been used so I started changing syllables, and so I was like Mobalators, Mockalators, and then I came up with Monolators and I thought, "aw, that's pretty good." I looked it up in the dictionary and there was nothing and I looked it up online and I couldn't find anything, so I said, “cool, awesome, it's a nonsense word, that’s great.” But I did not, unfortunately, look it up in a theological dictionary, it didn't even occur to me. It’s a theological phrase for a monotheist basically, which was completely unintended but a lot of people think we're like a Christian rock band, like a lot of people do. That’s fine, I think we're nice people, but that was totally unintentional and if I had to do it over again it would not have been Monolators. But it stuck.

What are some of the names for other bands you were in and created?
EC: I often create names for bands I'm not in, though I came up with Cobra Lilies. Mary was in a before The Monolators, an all girl band, and I came up with their name; that was Hope Rides a Pony. I submitted them a list of names and I really liked some of the names I came up with that they didn't like. One of them was Ypsilanti Bitch Machine, I thought that was pretty good. I also came up with Ladder to the Bladder and they hated that one. But they liked Hope Rides a Pony. I tried to name the Damselles, there was a while before they settled on a name and I tried to come up with a name and I gave them a list, some of them were really good, but they didn't take to them. One was The Sleepovers; I thought that one was good. Red Velvet Valentine was another one; I thought that was really good. I end up scavenging a lot of rejected band names for song titles. So I'll probably use some of those.

What were some near misses for The Monolators?
EC: There were never any near misses. We were originally called Lonely 451 which was the name of this website for this guy who put up personal ads and that was his little tag, “I'm Lonely 451.” It was an amazing website, it was like, "Hello Ladies," he was from another country and, "in my native country I'm a gigolo," and then it had a little dictionary thing that said a gigolo is a lover of many women. It showed him with his gold chains and it said, "I have a lot of gold chains and it's not the cheap crap Americans wear, it’s the real stuff. And here's my car." And it was a really expensive Mercedes, but it wasn't him with a Mercedes, it was just a picture out of an ad. "I'm really lonely and I'm looking for that special someone. I'm called Lonely 451." The lonely part fit really well, but the problem was that there were a ton of bands then with numbers, like you know how everything now is black, like The Black Lips and The Black Comets and black this and black that, and everything else is on fire, like Comets on Fire, we just saw a band called Fire on Fire. At the time everything was numbers, there was Blink 182, and they were all really bad bands too, so we thought we can't be a number band so we changed it. I kinda just volunteered Monolators and Mike and Mary said, "that's good we'll use that," and that was it.

Jonathan and Sean of The Voyeurs keep a list of outrageous band names on their fridge.
EC: Oh yeah. I think right now we're going through a period in indie rock especially with really ridiculous band names.

Like give me some examples?
EC: Oh...now I can't think of anything. But if you look at any blog right now the band names are really long and ridiculous. It just goes through phases.

What are some band names in L.A. that you really like?
EC: I always thought Bodies of Water was a great name just because it can be anything you want it to be. Whereas the problem with The Monolators, apart form the whole Christian rock thing, is that it sounds very garage/punky, we are a garage band so it fits, but we also like a lot of other stuff too and I feel it’s sort of pigeon holed us a little bit. Happy Hollows is a good name, again it sort of could be anything.

I really like band names that have clear abbreviations, for example The Rolling Stones are The Stones, or The Dandy Warhols are The Dandies.
EC: Right, we don’t have that. (laughs) People sometimes call us The Monos.

Like Silversun Pickups, I just call them Silversun.
EC: And everyone knows what you're talking about.

I just really love band names that have those nick names sort of built into them.
EC: Yeah, it's hard to come up with a good name. Honestly, The Beatles is a stupid name. It's a dumb name, nobody even thinks about it. Little insects but it's got the 'beat' in it, it's dumb. I don't think it's a good name, but it sort of doesn't matter. Buddy Holly and the Crickets. The Crickets, what? That's stupid. It doesn't really matter.

 


Interviews and photography by Benjamin Hoste.

 

Volume One, Issue 5 | February 8, 2010
ELI CHARTKOFF
of the monolators

LISTEN NOW pop out
French TV (Ruby, I'm Changing My Number EP)
Don't Dance (The Tleilaxu Music Machine Remix)
Spandex Hitman (first recorded Monolators song)
RECORDINGS

The Monolators - Ruby, I'm Changing My Number EP

Amazon | iTunes | lala

Released in 2009.

The Monolators - We All Fell Dead (remixes)

Amazon | iTunes | lala

Released in 2009.

The Monolators - Don't Dance

Amazon | iTunes | lala

Released in 2008.

The Monolators - You Look Good on the Train

Amazon | iTunes | lala

Released in 2007.

The Monolators - Our Tears Have Wings

Amazon | iTunes | lala

Released in 2006.

The Monolators - Let's Be Best Friends in Space 7"

Amazon | iTunes | lala

Released in 2005.

The Monolators - Rejection Set Me Free

Amazon | iTunes | lala

Released in 2004.

The Monolators - Santa Claus vs. Dave Matthews 7"

Amazon | iTunes | lala

Released in 2003.

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